Sometimes, it's a matter of trial and error, and other times, you get good advice on the best starter toolkit and supplemental tools. Most people start with a basic tool kit and add to it as needed based on when the current tool kit doesn't work well or at all. To understand whether a new wrench or other tool is called for, you have to understand the hows and whys of the current wrench, or the entire tool collection, working or not working for all your situations. If one wrench turns all your bolts, you won't need to buy any other wrenches unless the original breaks or gets lost, or unless some of the bolts can't be reached by that wrench for some reason, or etc. A very good example of that would be Reason, which supposedly can act as a DAW or a VST plugin, but arguably can achieve at least some of, as well as more than, the same sounds as the synths that come with most DAWs.Īll of this is just like having a toolbox in your garage. VST instruments are a prime example of plugins that may be better than stock. Third-party plugins should mainly be considered for improving work flow, especially via the controls and interface, or for offering specific sounds or features not offered by other plugins, including and especially the stock ones. Otherwise, they should make better stock plugins to increase sales and uniqueness of appeal. Generally speaking, all DAWs' stock plugins these days are going to be good enough. Sorry this is so long, but I wanted to make like Henry David and be. It is called Score - A Film Music Documentary ( ) There is a documentary you might be insterested in. So I can appreciate what you are trying to do. But many of the big names in soundtrack work still use an orchestra (Hans Zimmer, you are a God), but many compose the soundtrack on their computers using either Native Instruments Komplete ( ) or East West Symphonic Orchestra ( ), and then print out the sheet music to give to a live orchestra, or mix it on the computer. Soundtracks can be all electronic, or use pre recorded music, or, or, or anything. The days of composing film soundtracks with some old composer guy and a full blown orchestra are no more. Now film soundtracks can mean alot of things these days. Or sometimes you might just need that one sweet sample to load into Cubase's Sample Track to make your project, so check out Black Octopuss Sound ( ) or Loopmasters ( ). Plugin Boutique ( ) is a good place to look for plugins. throat-singing Tibetan monks.", chances are you will have to look beyond Cubase.īut take some time to browse what's out there. Same with a film scoring gig - if the director tells you, "I want an epic sounding didgeridoo with a Russian bassoon layered with a mayuri, too. But if you are trying repeatedly to capture a sound you have in your head, but you can't reproduce it using Cubase alone, then it's time to start browsing Pluginsland to find what you think will work, whether it be an instrument or an effect (or both). If you feel you got a sound that knocks your socks off with Cubase alone, then it's all good. And this goes for instrument plugin AND for effect plugins. It is really up to you, the artist, and the needs of the gig, that determine if you need more external plugins. I agree with everyone here, and I have a few comments to add. It should take you about a year of fiddling around every evening with Cubase to get through everything that’s in the box. I have spent thousands on other stuff (kontakt, komplete, u-he everything, amp sims for guitar, delays and reverbs) but none of that was “had to” (because there was nothing in the box to get somewhere close) but rather “I want to”. Whatever genre you want to work in, the best “everything in one box” solutions are Cubase and StudioOne. If you want to make credible film scores or orchestral pieces, you’re going to need to spend $2k to $10K on orchestral libraries. I do think that you might really WANT some different compressor or other, and you might really WANT more instruments. I do not see any reason for third party EQ, compressors, limiters, etc, until you really have learned the ins and outs of everything in the box and you want more “sonic colors” in your box of sonic crayons. The first thing I would buy that isn’t included (because I like virtual analog synths) would be a virtual analog synth or two, something like Diva, or Serum or Pigments. Cubase 11 Artist or Pro has everything you need.
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